STORYTELLING E FORME DEL RACCONTO MEDIALE

Degree course: 
Corso di First cycle degree in History and Stories of the Contemporary World
Academic year when starting the degree: 
2018/2019
Year: 
1
Academic year in which the course will be held: 
2018/2019
Course type: 
Basic compulsory subjects
Credits: 
8
Period: 
First Semester
Standard lectures hours: 
64
Detail of lecture’s hours: 
Lesson (64 hours)
Requirements: 

Prerequisites are not required

Final Examination: 
Orale

The final learning check includes a written test (without the aid of notes or books) of the duration of two hours with open questions on the texts in the bibliography.

The possibility (optional) to integrate the final evaluation is foreseen with an ongoing test, which consists of a paper of analysis of a serial fiction product (to be delivered, in digital format, via e-mail); the modalities of the paper will be illustrated during the lessons
The student must pass the total score of 18/30 to pass the learning check.

Assessment: 
Voto Finale

The course aims to investigate the main theoretical and practical questions related to the realization, production and circulation of the media storytelling, particularly of the contemporary tv fiction.

The areas of investigation will be three:
- characteristics of the contemporary media ecosystem: logics of editorial organization (TV networks, OTT, on demand services), relations between production and distribution, definition of the target audience, peculiarities of the market
- socio-semiotic and narratological analysis of serial fiction: genres and subgenres, hybridizations and macro-trends of content and language, types of storytelling and narrative structure, imaginary, encyclopedic connections with the media system, coherence with the editorial field placement
- translation modalities: trans-media translation and adaptation (from film, comic, novel ... to TV series), trans-national adaptations, single product movements in territories (national markets) and publishing systems (types of offer) ) different

Among the expected learning outcomes are:
- knowledge of the differences and relationships between the different types of audiovisual offer (TV, OTT, digital environment)
- ability to place a storytelling product within the corresponding building typology
- textual and narratological analysis capacity of a serial fiction product
- ability to recognize and critically analyze the potential offered by a translation phenomenon, both in terms of increasing the potential on the target, and in a critical key

The course will specifically analyze:
- basic elements of the historical evolution of the television system (from broadcasting to OTT)
- editorial, target and organizational characteristics of the content of the various forms of audiovisual product delivery
- basic elements of the historical evolution of tv fiction
- segmentation of the serial fiction product by content, language, adherence to gender rules
- trends in contemporary television fiction
- case histories exemplary of trans-medial and / or trans-national displacement

• A. D. Lotz, Post Network, minimum fax, Roma 2017
• G. Rossini, Le serie TV, Il Mulino, Bologna, 2016
• J. Mittel, Complex TV. Teoria e tecnica dello storytelling delle serie TV, Minimum Fax, Roma, 2017

a text of your choice (replaceable from the proof in progress):
•A. Bernardelli, Cattivi seriali, Carocci, Roma, 2016
• A. Grasso, C. Penati, La nuova fabbrica dei sogni. Miti e riti delle serie tv america-ne, il Saggiatore, milano, 2016
• S. Martin (a cura di), La costruzione dell’immaginario seriale contemporaneo, Mi-mesis, Milano, 2104
• V. Innocenti, G. Pescatore (a cura di), Le forme della nuova serialità televisiva, Bo-logna, Archetipolibri, 2008.
• D. Cardini, La lunga serialità televisiva, Carocci, Roma 2004

Convenzionale

The training objectives of the course will be achieved through the method of lectures (for a total of 64 hours)

Professors